On our drive into Santa Fe, we had the chance to experience our first real change in landscape. The terrain was flat and expansive as we made our way through Arkansas and Oklahoma, and the foliage became progressively more barren. Upon our approach into Santa Fe, I was in awe of the adobe homes and buildings. Even the Walgreens and commercial businesses were constructed in the adobe style. The culture and atmosphere of Santa Fe made it seem as if we had landed in a different country. As the scenery and culture across the US changed, so did the schools. The Santa Fe Waldorf School is unique to the other Waldorf Schools that we have visited and just as inspiring. Although they carry out a Waldorf curriculum, their setting, teachers, and school design make it their own.
As we walked through the school, which ranged from Pre-K through 12th grade, we munched on purple and yellow tomatoes (yes, purple!) growing in their garden, overheard the sounds of children playing a movement game (“tall as a tree, wide as an oak, small as a seed), and felt the hot Santa Fe sun beating down on us. The classrooms were uniquely designed to accommodate the regions climate and many contained large tubes of water that helped to regulate the temperature. They have a special outdoor space for hand dying fiber and using natural dyes, such as red from the locally sourced cochineal plant. In our brief chat with their handwork teacher, we learned that the students study how to do the colcha stitch, a traditional embroidery stich native to New Mexico. There was an undoubtable influence of the land and the culture on the educational experience of the students.
In chatting with Kate, we received some inspiration of our own, some lovely reminders of how the embodied presence of the teacher supports the holistic growth of the students. She shared with us how in the school, teachers don’t simply read from a text book, in a way, they become the textbook. If the class is to study Joan of Arc, a teacher will read in detail about this historical figure, come to deeply understand and connect with the material on their own, and then bring it to life for their students in the form of oral stories. It is not to say that the content is the most important aspect, rather, as Kate described, it is the ability of the teacher to “cover a certain kind of consciousness.” The material is simply a means to uncover a deeper journey. As the students move through an understanding of history, they are essentially learning how to be human in conjunction with their own individual growth and development. Learning how to be human… What a fascinating journey indeed!
The projects and programs that transpire at the school are also worth sharing as they speak to the deeper roots and philosophy of the school. In the woodworking space we saw the marionette project that the 7th and 8th graders take part in each year. As 7th graders they craft the marionette by carving and shaping the wooden structure of the puppet. In 8th grade, they complete the project by designing and making the clothing. Finally, the 8th graders will put their hand-made marionettes center stage as they preform a show for the younger students. The idea that a single project could spans the course of two years invites an interesting concept for us to consider. We often think about projects that can be completed in a term, or at most, by the end of the school year. In daily life outside of school, we typically find that most of our endeavors rarely fit into such short and neat spans of time. It was so interesting to me that at SFWS, they allow time for a project to evolve over the course of two years. It makes me wonder what we miss out on when we place too much emphasis on age, grade level, or time bound projects. What potential for learning is possibly if we are brave enough to look beyond these markers and see life and learning as a continuously flowing stream, rather than a tap that can get turned on and off at will?
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Naptime fort |
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Woodwork Shop |
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Outdoor space for hand-dying |